How Do We Look: The Body, the Divine, and the Question of Civilizationby Published 04 Sep 2018
|How Do We Look: The Body, the Divine, and the Question of Civilization.pdf|
Conceived as a gorgeously illustrated accompaniment to “How Do We Look” and “The Eye of Faith,” the famed Civilisations shows on PBS, renowned classicist Mary Beard has created this elegant volume on how we have looked at art. Focusing in Part I on the Olmec heads of early Mesoamerica, the colossal statues of the pharaoh Amenhotep III, and the nudes of classical Greece, Beard explores the power, hierarchy, and gender politics of the art of the ancient world, and explains how it came to define the so-called civilized world. In Part II, Beard chronicles some of the most breathtaking religious imagery ever made—whether at Angkor Wat, Ravenna, Venice, or in the art of Jewish and Islamic calligraphers— to show how all religions, ancient and modern, have faced irreconcilable problems in trying to picture the divine. With this classic volume, Beard redefines the Western-and male-centric legacies of Ernst Gombrich and Kenneth Clark.
"How Do We Look: The Body, the Divine, and the Question of Civilization" Reviews
A beautiful and witty art survey, about one of my favorite subjects--people and how they represent themselves. What does it mean politically and socially to be painted "warts and all," or as a hundred foot tall, bare-chested incarnation of Ra? Beard carefully chooses pieces from around the world, setting them in context and revealing how they illustrate the culture's sense of self, power, gender and imagination.
How Do We Look offers the reader a question well worth exploring: how do humans use art to explain how they think and feel about themselves. This is a question stolen directly from an Intro to Art syllabus, but it is a question worth asking because human imagination is arguably the most powerful force in the known universe. It can literally impact the physical world as humans create visions based upon their experiences and perceptions and imaginings, and Beard takes her reader through the centuries of the human experience to show how humans have channeled their imagination into creating some of the greatest artistic wonders of the world.
How We Look is not always as in-depth as I would have liked, but Beard's works tend to leave the reader inspired to begin their own explorations. The value of a book like How Do We Look is how it can inspire new readers, or even experienced readers, to contemplate the purpose and function of art and remind us how art can impact our reality.
Whether it's sculpting boxers out of bronze or literally carving a temple into the side of the mountain, human beings create. It's worth a moment of the reader's time to ask themselves where and why that impulse exists, and what they could or should do with it.
Very informative and easy to read prose! This would be a fantastic addition to a 100 level art history class.
I really like Mary Beard and her perspective on human civilization through her expertise in antiquity. This book focuses on the question of who are we when we are looking at art, not only how do we see art, but how does art reflect our gaze. Using numerous examples of ancient figurative art from the Romans, Greeks, Egyptians, Olmec, and Chinese she tries to find the role of the viewer. Next she turns to the religious structures from multiple major religions to explore where the gods are in the art, and where the people are.
It is fascinating, provocative and well argued.
Fascinating read on art and sculpture and how people from long ago memorialized themselves and others.